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dj wask

Please tell our readers who you are and what you do?

Creator of the first djs school in Chile (since 1998) , , owner of the DNW Records label. Product specialist of Native Instruments for Latinoamerica.
Is recognized as one of the pioneers in Chilean electronic music.
He currently has a weekly radio program (thursday 9:00 PM) on Detroit's Prestigious Radio – Deep Space Radio (
Founder of DEMC (Detroit Electronic Music Camp) along with Ron Johnson and Juan Atkins.
Technology and music lover…

How would you describe your style and genre?

My style has always been loaded with tracks that take you to a melodic journey with lots of energy that can start with classics or original techno tracks. The musical connection has been part of this trip, where the importance of delivering feelings is the tonic and the connection for my dj sets. in my djsets i mix original, classics and new tracks.
My setup is made up of hardware and cdjs or turntables, creating a live djset hybrid.

Who are your biggest influences and idols … and why? Do you have any idols? Are you a super fan of anyone? (Dead or alive, musician or non-musician)

kraftwerk – Giorgio Moroder – Juan Atkins – Jeff Mills – Gaudi –

What´s new right now? What should our readers know about that is coming up from you?

I am currently finishing a new LP that will release in August, with djschool our connection with Juan Atkins and with the most important exponents in Detroit has led us to create several instincts that will come to light in the near future and generating the second version of the Detroit Electronic Music Camp 2018. (
I am also working on the development of new technologies and preparing the technical part for the Visual Arts Biennial that takes place in Chile in October.

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What was the biggest mistake you made when you started making music and what would be the number one tip you could give to a newcomer musician?

The little patience and the desire to take the tracks right away, your music should mature and you should have the time to hear it one thousand times before the release, but the work you started should always end.


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How do you get gigs? Can you share any tips?
We have a booking (DNW Records Booking ) that is responsible for sending our references and works to the different producers. The advice is to be generating news and relating to the right people. Cooperation is extremely important.

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What has been your biggest challenge right now? Have you been able to overcome that challenge? If so, how?


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How do you promote yourself? Do you have any specific promotion tips for other musicians?


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We meet again in one year. What has changed?


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