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DMB


Read the DMB Interview below and share it on social media.


Please tell our readers who you are and what you do?


DMB was born in San Jose, Costa Rica in 1984. I am a Techno DJ, producer and also remixer.
I've started DJing in 2009 at many clubs in Costa Rica – Central America.
Started producing officially in 2014 after learning a lot about how Ableton, Reason and other DAW’s works.
DMB always stands for Techno, on the darker side of the musical spectrum.
After some months I began to release music on well-known labels such as Subwoofer Records, Oxytech Records, NG Records, Dark Smile Records, Finder Records, Black Drop Records, Spliced Vinyl Recordings, Nachtwandler Records, Fnoob Digital, reaching some important wins on Beatport charts, such as several #1's in Hardcore Hard Techno releases chart:

Krizpy EP reached #1 in Hardcore Hard Techno releases on Beatport
August 13 EP reached #5 in Hardcore Hard Techno releases on Beatport
La Hostia EP reached #9 in Hardcore Hard Techno releases on Beatport
Companion EP reached #2 in Hardcore Hard Techno releases on Beatport
Kinky EP reached #1 in Hardcore Hard Techno releases on Beatport
The Suite EP reached #1 in Hardcore Hard Techno releases on Beatport
Big Fat Move EP reached #6 in Hardcore Hard Techno releases on Beatport
Broken EP reached #3 in Hardcore Hard Techno releases on Beatport
Cangrejo EP reached #1 in Hardcore Hard Techno releases on Beatport
Psycho Techno EP reached #10 in Hardcore Hard Techno releases on Beatport
The Dark Arts EP reached #1 in Hardcore Hard Techno releases on Beatport

https://www.presskit.to/dmb#/about/wins


How would you describe your influences and how have they changed over the years?


I was and still I am influenced by big and talented Techno artists such as Marika Rosa, Umek, Piatto, Popof, Spartaque, Angy Kore, Spektre, Stefano Noferini, Capriatti, Carola, Fat Boy Slim, Hawtin, Cox, Nierich, Beyer, Giacomotto, Jay Lumen, Loco & Jam, Chris Liebing, Christian Cambas, Marco Bailey and many more.
So, yes, I am a truly Techno Lover.


What´s new right now?


I will be released on Marika Rosa's – Fresh Cut label later on February 2018, which is one of my favourite labels right now. So I'm kinda proud of it. The name of the EP will be "Conticinium".

I would like to share with you guys a 1 Hour DJ Set with 100% Original tracks. It was recorded for Fnoob Techno Radio:
https://www.mixcloud.com/dMb_music/dmb-techno-dj-set-fnoob-techno-radio-latin-american-techno-fiesta-29917/

BIO/PRESSKIT:
https://www.presskit.to/dmb#/about/wins
SOCIAL MEDIA:
https://www.facebook.com/dmb.techno/
https://pro.beatport.com/artist/dmb/131269
https://soundcloud.com/dmb_cr
https://twitter.com/dMb_musik
https://instagram.com/dmb_musik/
https://www.viberate.com/artists/profile/dmb
https://www.youtube.com/channel/UCnIRe2h4ExR5Fib-_u_ZR9Q

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Are you a superfan of anyone? How did you become a superfan? Do you remember how you become a fan and what turned you into super fan? Have you ever thought about why you´re such a fan?



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What was the biggest mistake you made when you started making music and what would be the number one tip you could give to a newcomer musician?



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How do you get gigs? Can you share any tips?



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Do you have good promotion tips for other musicians?



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Do you have insights on how to grow your audience on soundcloud that you want to share with our audience?



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What has been your biggest challenge right now? Have you been able to overcome that challenge? If so, how?



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How do you personally discover new music?



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Once you discovered new music, do you tell others about the new music/artist you discovered? If yes, how exactly?



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What is your number one tip to improve your music production or songwriting skills?



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What is your best tip for those who struggle with finishing their tracks?



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We meet again in one year. What has changed?



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https://soundcloud.com/dmb_cr

https://www.facebook.com/dmb.techno/

https://twitter.com/dMb_musik

https://pro.beatport.com/artist/dmb/131269

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Enter your questions to the artist in the facebook comment section below.
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